Brendan Peveril . net

So, I’m pounding out these Gone scripts and, let me tell you, they’re exhausting to write. I should have known as much, people who write comics for actual money bitch about the 9 panel page. There’s a damned lot of information packed into a page when you do that. I keep thinking about doing something different with Gone, writing a story based on some different layout, but where I’m paying for each page out of my own damned pocket it’s just not doable; if I have to pay someone to draw my story, well, I have to write stories that I can afford to pay someone to draw. Sticking to the good old 3 x 3 lets me pack a decent amount of story into 4 pages or so,  giving the artists an easy little project and getting my work where people can see it without draining my money too badly.

The main bit, though, is that I’ve started working on a project that will be completely different. Rather than write unrelated sci-fi shorts and contract the art out, I’m going to write an ongoing piece. It’ll be a manga style romance/relationship story (since, let’s face it, the market can and does support a near infinite number of them) and I’ll base the layouts on a 2 x 2 grid. It’ll be much faster for me to write, and since I’m going to insist that the artist stick to strict b & w and stay low on the details, we should be able to chowder out at least two pages/week, maybe more.

I know that’s not particularily exciting to you mere mortals, but if you’ve ever tried to write comics that don’t employ the age old “two page spread of guys in tight pants punching each other” trope, or hell, even if you have used that trick, you’ll understand the headaches caused buy trying to arrange 9*(the number of pages) pictures to tell a story.

Also, if you were really paying attention, yes, I did say that I’m going to pay artists a pagerate for doing artwork on Gone. If you’re an artist and you like to get paid, let me know already.

So, a while back I took a week off work to write a screenplay. What did I learn? A week is enough time for me to plan a screenplay, not write one. A while after that I learned that I didn’t much like the screenplay that I was writing (well, I liked it, and still like it, just fine, but I couldn’t imagine that anyone would buy it). I did like pieces of it, though. Here’s one bit I really liked.

To set the stage, the main character, Greg, has taken a vacation from work because he’s too stressed out. To fill the time he’s decided to make the trek from Seattle to LA to visit his sister, an aspiring actress (I may post his encounter with her wacky room mate later). He stops for a sandwich and a cup of coffee in some un-named truckstop town.

Greg pulls into the parking lot of a diner. It’s one of those places that looks almost like a kitchy diner in a big city, but not quite so much, because it’s a diner. These places are, across the board, depressing shitholes, and almost always have horrible food. Decade old smoke hangs in the air, even though nobody’s allowed to fucking smoke indoors in California anymore, and the afternoon sun is wafting in under the half lowered blinds. There are a couple of patrons, but it’s pretty much empty. Greg looks around and sits at the bar, near the waitress who is sitting on a stool behind the bar doing a crossword puzzle. She’s a career waitress, middle aged, stooped shoulders, sensible shoes, runs in her pantyhose, etc., not somebody making ends meet for the time being.

(more…)

So, the artist in question has given me a splash/preview page of the first story for A Deeper Shade of Gone. I should be able to start posting the real thing in a few days, provided that the web-nymph gets that working. I’m not complaining, though. The web-nymph works for dew drops and starlit evenings, if it takes a little longer to get shit done, It’s all good.

Anyway, the main thing is that it’s almost ready to start. I’ll write a bit more about it later.

Here’s another essay I wrote for the page a few months back. It’s actually about something I wrote quite a long time ago. Get ready for the depressing!

So, a long time ago, I went to a therapist who told me that I was having a miserable time, but there was nothing wrong with me that needed medicating. That’s a kick in the teeth, eh? Especially when you’re the type who may have a less than healthy tendency to solve problems by finding some kind of filth to pack into your body to make it hurt less rather than actually dealing with the problems. Anyway, that’s not my point. Said therapist also suggested that I try a common exercise, to sit down some day and write about my “perfect day.” When I knew what I felt would make my life perfect, then I’d not feel so lost, directionless and miserable.

It took me about a year to get around to it, but I eventually did. Now, several years after that, I’ve found that original essay and I thought I’d share:

I was once told that many therapists recommend to people who are unhappy that they, before worrying about all of the little problems in their lives, define in their minds their perfect day, whether that moment should last for a heartbeat or a year. In the interest of self therapy, let me share my perfect moment with you.

It would be the morning. I’d be in my house, a little cottage with two or three bedrooms, an office, and a little porch that faces the ocean. I’d be sitting in an old comfortable chair with a cup of coffee.

In my office, I’d have books. All kinds of books. There’d be a computer that suits my needs, and a lamp with another comfortable chair under it to sit in and read. I might still be awake from a night of writing, or I might be ready to start writing after a night’s sleep.

The writing part’s important, you see. I love writing, and I have for as long as I remember. I started Killpop as an excuse to put stuff I wrote online in a more interesting format than a “Hey, look at my writing” page. I can’t imagine being happy in any job where I couldn’t take advantage of my writing abilities, except possibly working as a computer programmer. That’d rock too.

From there, it devolves into an angry political rant, since, as a Canadian in the process of moving to the United States less than a year after they knocked down the World Trade Center, I thought about politics a lot. I’ll spare you that bit though.

I ought to clarify, also, that Killpop was a short lived e-zine (remember e-zines? Hello, 1996!), that I edited/wrote most of. I stopped bothering when I looked at my list of articles for the second issue and realized that nobody else gave a fuck, and it was just me writing about how angry I was about things. In retrospect I’m glad I gave up since it might have turned me into a journalist, the idea of which, honestly, I abhor.

I’d like to poke fun at my youthful misconceptions at finding a job where I write things every day too. Watch those baby-dreams die, motherfuckers!

Anyhow, let’s skip ahead to the end bit.

Now that I’ve shown you my perfect day I’m sure that many of you must agree with me. It doesn’t take a whole lot of brain sweat to think of little things to make each day a little more perfect, so let’s try it. The weight of the world isn’t so heavy if you’re not the only one to bear it.

Oh yeah, on my perfect day, my cat would still be alive too, and immortal.

So there you go. Only four years ago, and that was what I thought was perfect. Don’t get me wrong, I’m still pretty keen on most of that, and I don’t necessarily disagree with the omitted bit, either, although I don’t think I’d give it the weight I did then.

What strikes me most is the thing I that I forgot about and left out of the whole essay, which, I’ve found as time passes, is more important than everything else. More important, even, than my immortal cat. When I read things that I wrote a few years ago, especially highly personal things like this, I’m struck by how strange and alien this person that I used to be feels now. Maybe that’s how everybody else sees me now. How could I leave that out of my perfect day? Was I taking it for granted? Was it actually not in my perfect day? It’s most likely that I assumed that I’d loose what I had and never be able to find it again, but that I didn’t want to dwell on it when I was trying to think about being happy. If that’s why, well, it looks like a case of life imitating art now, of course. Maybe I wasn’t such a dumb kid after all.

So, what happens on your perfect day?

There you go. Behold my misery.

Is anybody not listening to THE DAGONS yet?

So, since I write a lot (well, I write some) I have configured my apartment so that there is nearly always a notebook or something within reach so that if I have an idea I can write it down. Now, as anyone who does this knows, frequently the ideas that are had and recorded aren’t good ideas at all.

Skip to the present. Last night I had an idea, so I did my usual routine: stop talking in mid sentence, stare into space for a few minutes, grab the closest notebook and jot it down. I happened to grab the ‘next to the bed’ book, since I was in bed. The note that I wrote is inconsequential (although it is pretty good, I’ll let you know if it comes to something). The funny part is what I found on the first page of the book, roughly translated here from the heiroglyphs I originally transcribed it in:

For MAD! ?

Poop jokes gone wrong

a few (four, maybe 6?) toilet jokes carried to the extreme

some terrible calamity ensues.

Explosions, motherinlaws [e.d. that’s clearly one word] splattered in dung

Employ [I think] lots of synonyms

See kids, this is what happens when you drink. I’ve never had a problem with a motherinlaw.

Just like I said, here’s the first of those columns that I wrote. Actually, looking at my little stash, there are only two, plus on that’s only half done (and could be a whole book if I wanted), so this isn’t going to take very long at all. I don’t like this one as well as the other one. Less… quiet power.

Your relationship with the place you grew up, or even some place you were later that felt like home after a time, is a complicated one. When you are younger you look forward to escape; getting away from whatever it is about the place or situation that you feel is limiting you. There is no escape, though, because you will always carry everything you ever had with you, and you’ll probably never get what you want, or think you want.

Some people never get to leave. They move out of their parents’ houses and find themselves inextricably bound to that one place, never getting more than a few miles from where they started. They’ll try to see the world, but their weeks of paid vacation to Paris, or Toronto, or Disneyland, don’t bring them to that crucial point that they, and we all, are looking for. You can learn by observing strange places, but you can’t understand things without experiencing them. To get to know a place, to understand it, you can’t approach it with that ticket home in your pocket, because that means that you aren’t trying to find home there. You need to get those balls out, sever as many ties as possible, and let yourself fall in. That’s a really hard thing to do, sometimes, even if you’ve done it before.

Of course, there may be a problem with all of this: I’ve done it and I’m not sure that it’s working. I’d hoped that accumulating these experiences would give me a better view of the world. When I was expecting everything to become more clear and more easily defined even as it gained complexity, it just got bigger, and fuzzier.

While I’m away from those places where I started to form my picture of the world I want to go back, sometimes for good, sometimes just to check and make sure everything is like I remember it, to see if my earlier simpler world view is still supported by the place where it grew. Now that I have gone back, after really living and even finding the beginnings of home elsewhere, I see that some of the things I held most dear have changed, and other things have gone on just fine without me. The shop where I used to buy my guitar and sci-fi magazines is closed, and my favourite restaurant won’t let me smoke inside any more. After living in a place, and feeling like a part of the community, whose fault is it that it cuts a piece out of my heart that, upon my return, the only thing that’s changed about my favourite smoke shop is that the clerk behind the desk doesn’t know my name any more? It’s nobody’s fault, I’m just not a part of that scene any more. I’ve always been worried about people forgetting me; the last time I came home I found that a lot of people I had known before couldn’t remember anything beyond that I looked kind of familiar, and even my close friends couldn’t remember things that seemed very important to me. I felt like I was disappearing, and this time it looks like I’m gone.

I’ve come to realize that this return is essential to the journey. Without a homecoming there’s no grounding, no fact-checking examination of one’s memories and idealized internal portrayal of what was. Without this the memories have no meaning; without verification they might as well be fiction. While our experiences can still bring a larger understanding of the world, we can’t be certain, the understanding is not complete.

At first, I have to admit, this whole process left me hollow. If home isn’t home any more, am I just homeless now? It’s become more, for me, than just longing for my parents’ house, or some more familiar town, or even another country. I’ve walked the old streets and listen to the racket of memories in the old walls, but they’re not my streets or my memories any more. I guess that it’s time to throw all of that old shit aside, and approach the world with a clean slate. I hesitate to pull some Socratic shit on you, but it doesn’t work if I keep thinking of one place as home, and here as not home. So here I go, one more citizen of the world; maybe I’ll find home again, and maybe I won’t, but I’ll always keep my feet firmly in my time space location. I’m here right now, trying very hard to keep from forgetting what home feels like.

Man, can you believe it? I was so goddamned… solemn. I wrote that a little over a year ago the last time I went back to the place I call home. It doesn’t feel that way, but when I say home, it’s the place I’m talking about.